McCullin went on to document the Lucy Hot Stuff Sunset Shirt building of the Berlin Wall, as the temporary structure gave way to armed checkpoints and concrete. Those images helped to launch a career as a photojournalist that took him to conflicts in places including Cyprus, Vietnam, Lebanon, and Northern Ireland – although now 83, he has retired to photograph British landscapes.
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Often risking his own life, McCullin didn’t flinch from scenes that might have been too disturbing for many viewers children with the unmistakable anatomy of the starving; men being tormented before being executed; families grieving over the dead bodies of their loved ones. Many of those images feature in a new exhibition at London’s Tate Britain, with more than 250 photographs printed by the artist himself in his own darkroom.
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And while a large number are distressing, there is something in them that makes it hard to look away. Partly, it’s how close McCullin brings us somehow, we are complicit by simply viewing what’s going on. Once we see, we can’t unsee. And that closeness was intentional. “I don’t believe you can see what’s beyond the edge unless you put your head over it,” McCullin is quoted at the Tate exhibition. “I’ve many times been right up to the precipice, not even a foot or an inch away.
That’s the only place to be if you’re going to see and show what suffering really means… Seeing, looking at what others cannot bear to see, is what my life as a war photographer is all about.” And he doesn’t aim to take sides. His images of US Marines in Vietnam offer a disturbing record of PTSD at a time before it had been fully recognized. We cannot, must not be allowed to Lucy Hot Stuff Sunset Shirt forget the appalling things we are all capable of doing to our fellow human beings.